Presenza, gesto, timbro: analisi pratico sui concetti e processo creativo di “a través de los océanos” (2022), per orchestra
[Presence, gesture, timbre: a practical analysis of concepts and creative process in “a través de los océanos” (2022) for orchestra]
Master’s Thesis (Biennio) · Conservatorio Niccolò Piccinni, Bari.
174 pp. (Italian)
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Note: This work was awarded at the “2 Agosto” International Composition Competition (Bologna, 2022).
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Dall’immaginazione all’elaborazione timbrica: approfondimento del processo creativo di “Sinuosa… emergió desde el violeta” (2020), per ensemble
[From imagination to timbral elaboration: an in-depth study of the creative process in “Sinuosa… emergió desde el violeta” for ensemble]
Bachelor’s Thesis (Triennio) · Conservatorio Niccolò Piccinni, Bari.
86 pp. (Italian)
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Awards for this work: First Prize, 5th International Composition Competition – Appassionato Ensemble (Italy, 2021); Second Prize, 3rd Impronta Ensemble Composition Competition (Germany, 2023); Second Prize, Concorso Don Sante Montanaro (Italy, 2022).
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